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Pattam Pole is unconventionally bold with the way it deals with the issue of live-in relationship.
A look at the top posts on social media from your favourite Bollywood celebrities.
'We have won our political freedom, we have liberalised our economy and now it's time to liberate our minds also. That is why this film.' Director Ketan Mehta lists his reasons for making Rang Rasiya.
Swargathekkaal Sundaram is one more addition to the heap of films that leave hardly anything to be remembered,
To an award show that's famous for honouring artists belatedly, we have sent as our official entry one of our major film-makers's weakest work yet, feels Sreehari Nair.
With Joji, Dileesh Pothan has found a way, once more, to use everything he has learnt to further push the boundaries of his art, observes Sreehari Nair.
'Oraalppokkam is open to interpretation and therein lies its appeal.'
A cow that speaks, a question on patriarchy and the story of a 17th-century poet - Sanskrit filmmakers are finding new ways to revive the 'dying' language.
Sreehari Nair presents his Top 20 movies of the decade.
'In the 30 years since the Ayodhya movement began, the RSS has created a generation of Hindus who are the mirror image of those fanatic Muslims who take to the streets at the slightest, even imagined, 'insult to Islam,' argues Jyoti Punwani.
India is in the midst of its biggest crisis since Independence. It is a national emergency and begs to be dealt with. Politics can wait. Lives need to be saved. We need to vaccinate India at a pace faster than any country in the world, asserts Ramesh Menon.
The top posts on social media from your favourite Bollywood celebrities.
'A film is not all about the hero. He is part of the journey, yes, but there is a lot more to the story.' After Maheshinte Prathikaram, Fahadh Faasil is back with a bang!
'Kumbalangi Nights is a movie that respects women, but most importantly, it's a movie that loves them,' says Sreehari Nair.
Discovery Channel will soon telecast an inspiring program on people who have overcome physical handicaps.
The movie may prove to be another turning point in the recent new wave Malayalam cinema.
'During casting calls, people want you to a copy-paste version of who they think is good enough to be in Bollywood, especially if you are a girl. I didn't fit into that at all.'
A look at the top tweets from your favourite Bollywood celebrities.
'If Michael Jackson is called the King of Pop, would he mind it? It's a great thing. I don't mind being called excellent in what I do. I don't mind being typecast. I am very good at what I do, nobody can do what I do. I am the best action hero.' There's no stopping Vidyut Jammwal.
After 20 plus years of threatening to offer us new sensations, Nagesh Kukunoor has finally let it rip, raves Sreehari Nair.
Rajadhi Raja is a lacklustre Onam release, writes Paresh C Palicha.
A look at Indian celebs who got bowled over by foreigners!
The Kochi-Muziris Biennale has put Kerala on the art tourism circuit, says Kishore Singh.
P K Nair dedicated his life to restoring and archiving films.
'Before we started shooting 36 Vayadhinile, I watched Jyothika's previous films. I told her that I did not want the old Jyothika. I wanted to present a completely new Jyothika.' Director Rosshan Andrrews discusses his well-reviewed film.
'Assault, abuse and exploitation in the name of gender happens everywhere in any industry. This is the state of affairs. I do not believe in jumping the gun and naming people. Then, everyone will have a field day and the point would be lost. You have to go by the law. You need to evidence to name a person. We are living in a country where domestic rape is not illegal.' Intelligent words from Qarib Qarib Singlle actress Parvathy.
The top posts on social media from your favourite Bollywood celebrities.
Tiger Shroff's dream woman is probably nothing like the bold, action-loving heroine of his new film Baaghi: A Rebel For Love.
Raam Reddy gets candid about Thithi, his film journey so far and his next project.
This piece is a tribute to that corner of film criticism that they call subtextual film criticism.
'Dev Patel and I hung out together to get to know one another. It's very important to understand your co-star before you begin a project.' Devika Bhise gets ready for The Man Who Knew Infinity.
Malayalam film audiences, who had spent close to two decades waiting for something truly interesting to watch at the movies, seem to be finally getting their due.
'In Angamaly Diaries, dreams, kinks, small corruptions, cheap lives, and hopes are all given their due and that attitude frees us up to believe that perhaps there is more good than bad in the sum total of us.' 'This is a coming-of-age tale taken straight out of a diary written in blood,' says Sreehari Nair.
Several big budget movies, including one for Rs 300 crore on Karna and another Rs 1,000 crore movie based on Bhima, have been launched on the same model.
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