Jayraj's Camel Safari fails to connect with the youth at whom it was aimed to.
Only the hardcore Mohanlal fans will like Mr Fraud which is otherwise an uninteresting film.
Ivide tries to tackle a lot of things but ends up satisfying none.
A lowdown on what's going on in the Malayalam film industry.
Meet Srihari Sathe. Producer. Director. Professor.
Sreehari Nair could not put up with turgid and self-serious ones like Super Deluxe and Gully Boy. His list of favourite Indian movies of 2019 contains just five names.
Like many such cases, this case too would have remained under wraps had the survivor not exposed the villains and the crime they had commited.
A look at the top tweets from your favourite Bollywood celebrities.
Siddharth Chauhan, winner of the Satyajit Ray Award
Karma Cartel director Vinod Bharathan gives us an insight into his style of filmmaking.
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Pattam Pole is unconventionally bold with the way it deals with the issue of live-in relationship.
A look at the top posts on social media from your favourite Bollywood celebrities.
'We have won our political freedom, we have liberalised our economy and now it's time to liberate our minds also. That is why this film.' Director Ketan Mehta lists his reasons for making Rang Rasiya.
'The first one has done what it needs to do.' 'I'm sure there's going to be a stronger wave.' 'Anybody who thinks #MeToo has gone and they are off the hook are fooling themselves'
Swargathekkaal Sundaram is one more addition to the heap of films that leave hardly anything to be remembered,
'Oraalppokkam is open to interpretation and therein lies its appeal.'
A cow that speaks, a question on patriarchy and the story of a 17th-century poet - Sanskrit filmmakers are finding new ways to revive the 'dying' language.
'In the 30 years since the Ayodhya movement began, the RSS has created a generation of Hindus who are the mirror image of those fanatic Muslims who take to the streets at the slightest, even imagined, 'insult to Islam,' argues Jyoti Punwani.
To an award show that's famous for honouring artists belatedly, we have sent as our official entry one of our major film-makers's weakest work yet, feels Sreehari Nair.
With Joji, Dileesh Pothan has found a way, once more, to use everything he has learnt to further push the boundaries of his art, observes Sreehari Nair.
Sreehari Nair presents his Top 20 movies of the decade.
The top posts on social media from your favourite Bollywood celebrities.
'A film is not all about the hero. He is part of the journey, yes, but there is a lot more to the story.' After Maheshinte Prathikaram, Fahadh Faasil is back with a bang!
India is in the midst of its biggest crisis since Independence. It is a national emergency and begs to be dealt with. Politics can wait. Lives need to be saved. We need to vaccinate India at a pace faster than any country in the world, asserts Ramesh Menon.
'Kumbalangi Nights is a movie that respects women, but most importantly, it's a movie that loves them,' says Sreehari Nair.
Discovery Channel will soon telecast an inspiring program on people who have overcome physical handicaps.
The movie may prove to be another turning point in the recent new wave Malayalam cinema.
'During casting calls, people want you to a copy-paste version of who they think is good enough to be in Bollywood, especially if you are a girl. I didn't fit into that at all.'
A look at the top tweets from your favourite Bollywood celebrities.
'If Michael Jackson is called the King of Pop, would he mind it? It's a great thing. I don't mind being called excellent in what I do. I don't mind being typecast. I am very good at what I do, nobody can do what I do. I am the best action hero.' There's no stopping Vidyut Jammwal.
Rajadhi Raja is a lacklustre Onam release, writes Paresh C Palicha.
A look at Indian celebs who got bowled over by foreigners!
After 20 plus years of threatening to offer us new sensations, Nagesh Kukunoor has finally let it rip, raves Sreehari Nair.
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